Jul
1

Rediscovering The Faces

Film director, Wes Anderson, has done much to revive the British Invasion, unearthing  overlooked B-sides and building scenes around forgotten songs such as the Rolling Stones “2,000 Man,” which scored the penultimate scene of “Bottle Rocket” when protagonist, Dignan (Owen Wilson), triumphantly declares, “They’ll never catch me, man, ’cause I’m fuckin’ innocent.”  Moments later, of course, he’s face down in meat locker and frog marched into an awaiting police cruiser.  For Anderson’s follow up, “Rushmore”, he choreographs a breathtaking closing scene to The Face’s ambling singalong, “Ooh La La.”

The main lyric in the line, sung by a gravel throated Ron Wood, “I wish that I knew what I know now, when I was younger,” mirror the movie’s central theme of adolescence, and again, lost innocence.  In the liner notes, Anderson says he initially wanted to score the whole film to Kinks songs, but eventually opened it up to music from the British Invasion. It’s a good thing he did, as Anderson credits “Ooh La La” with being the main inspiration for this closing scene.

This is a good example of what Wes Anderson’s soundtracks do best, they find great music that was once overlooked and make us wonder how we could have ever lived our lives without listening to it. For many, The Faces may have been a footnote to Rod Stewart’s career but their back catalogue, especially precursor, The Small Faces, brims with angular guitar riffs and a mod style that have set the template for UK music for the next 50 years.Paul Weller is an avowed fan, and don’t think that Arctic Monkeys don’t take a page from this book. Continue Reading…

Jul
0

Chemical Brothershood

MY SKETCH OF THE BROS SWIMMING UPSTREAM

MY SKETCH OF THE BROS SWIMMING UPSTREAM

Tom and Ed on Facebook have nearly a million friends. For 20 years the duo has been building a “Chemmunity” of trip-hopping, break beating, alternative house heads, taking listeners “Further” (2010) upstream electronically, like dancing Salmon. Visually, too, with a “light show that put U2 to shame,” the Brothers’ brother/sisterhood pulses strong, even with audience numbers in the tens of thousands at nearly back-to-back festival dates worldwide, all summer long.

Hopefully the duo can bring the same energy to Fuji Rock as they brought to their record-setting headlining appearance at Glastonbury last week. The lasers overhead, projections of neon pink elephants, freaky sad clowns, and a hundred blinking eyeballs assist audience members’ visual and spatial disorientation experience while dancing into oblivion. Don’t be ashamed to proclaim like their 2007 album says, “We Are the Night!” And remember your glow sticks.

Continue Reading…

Jun
1

Manu Chao La Ventura: “Let’s Patchanka-ing!”

MANU CHAO WAILING SKETCH BY J MUZACZ

MANU CHAO WAILING SKETCH BY J MUZACZ

Fuji Rock Friday on the Green Stage, let’s “Patchanka!” (“Pachanga,” which means “party,” in colloquial vernacular) with the King of the Bongo himself, Manu Chao!  This venture (La Ventura) to Fuji Rock is one of Manu and friends tour dates on the Japon/US tour, also including Boston’s House of Blues, New York’s Terminal 5, and my previous residence, sunny Austin, Texas’ Austin City Limits Music Festival (headliner). Quick side story, I actually “listened” to Manu Chao LIVE from beyond the obstructing fence of an outdoor venue (Stubb’s) in Austin a few years ago, and I swear, there has never been as intense a dance party in that empty parking garage, out of view but well within hearing radius.

The man sings in seven languages. And, as his inclusive, semi-anarchist leftist leanings may dictate, he has probably picked up a little of an 8th language, Japanese, having played a few shows here previously. For this and other reasons like diverse genre dexterity, superb song-writing and a nomadic street busker’s experience, energy and ethics, Manu has become a wonder of the world.  For his often simple yet striking lyrics, he has also been compared to the late/great Bob Marley for his revolutionary impact within a world sound’s accessible ease. Even still, a lot of his lyrics and philosophy hints that globalization as it were is actually something he is fighting against.

Nonetheless, ska-stomping, punk pits, flamenco twirls, salsa hip-shaking, reggae bobbing, introverted smily head-nodding, and those Latin language Otaku (loosely, nerds) in the crowd who can actually understand his lyrics, there will be something for everyone of every nation and any festival-participating-persuasion in the fantastic celebration that Manu brings to every huge festival stage, and has continually brought to bars and street corners around the world since 1984! Continue Reading…

Aug
0

Massive Attack: Downtempo Delightful

MA1I have been contributing to this team at FujiRock for six years now, and I’ve never covered a headline act. I usually leave this duty for guys with a lot more experience like Phil, guys who write for a living. But when I saw no one else had selected to review this seminal group, I had to take it on.

I came here from a disappointing Ian Brown. I’m amped for something more. More what? Well, more good. I chose to walk along the back road so I could have a view of the stage from behind with the audience aglow. It’s a special view that I’ve added here after the jump. Apologies for the no tripod fuzziness. I managed to be watching from here just as they came on and the crowd rushed forward, quite a sight I’d not experienced from afar before. Continue Reading…

Jul
0

John Butler Quartet

JBTI blogged about JBT growing into something more interesting a month or so back. Due to a surprise lift from a kindly local from the minshuku we’re staying at (40 odd minutes walk from the Green Stage), I was able to slide in just as John Butler picked up his slide guitar. Actually, it was a banjo that he started the day’s activities with. But that doesn’t work with where I’m going… Continue Reading…

Jul
3

Footwear: and How Everything Happens on the Fringes of a Music Festival!

My all-purpose recommendation

My all-purpose recommendation

The one bit of advice that I give to those attending Fuji Rock for the first time (or those coming back after a long hiatus) is to figure out your footwear!

Going back to your hotel room or pup tent in between sets is probably impossible as you should be prepared to mosh around in one pair of shoes the whole time. That said, you better decide what it’s gonna be, and trust me, there are a million good choices out there such as Tevas, Keens, Wellies, Saucony (Kern’s pick), Blundstone, Crocs.

Personally, if I were to buy a pair of shoes for the festival today, I would take my friend Dave’s advice (a fellow blog writer) and get a pair of Gore-Tex lined, ankle high Nike ACG. This half-boot provides enough wet weather protection to muck your way around every footpath at the festival. It also has enough bounce to keep your knees happy on the Red Marquee’s concrete floor. And more importantly, it will give you enough traction to stay upright on the slippery slope near hilltop Heineken tent at the Green Stage.
Continue Reading…

Jul
0

Roxy Music: More than this?

Behind the scenes of this blog, there’s been a lot of hand wringing about why no one has written anything about Roxy Music. There’ve been internal emails prodding us on this subject, and yet, no one has stepped forward to offer a critique of this late-70’s group which set the template, both musically and fashion wise, for the New Wave movement that followed.

I admit to some apathy regarding Roxy Music, a band I remember mostly from the bargain bins of my local record story; particularly how the words “Roxy Music” were distinctively lettered and centered near the top. This was in an age when album art was exploding in all different types of script and imagery, and yet, Roxy Music was quietly understated. And, few could rock out a white tuxedo and martini glass like Bryan Ferry, his signature contribution to our collective culture, as parodied in a recent episode of “The Mighty Boosh”, an English comedy as the character Vince describes his upbringing in the jungle.
Continue Reading…

Jun
1

Ajikan: Fujisawa Losers

AsianKungFuGen

Asian Kung Fu Generation

They throw their own annual arena festivals, they look like button down rock and roll geeks rather than the anime super heroes their name suggests, and they’re the darling of the Japanese music industry’s record release cycle. They are: Asian Kung-Fu Generation. Continue Reading…

Jun
0

Gross creatures and hard hitting break beats from Chris Cunningham

Each year I add a day to my Japan visit to travel around Tokyo, usually visiting Roppongi’s Mori Art Museum where I’ve seen everything from retrospectives of contemporary Chinese artists like Ai Wei-Wei to a 30th Anniversary Hello Kitty exhibit featuring a contribution by Sonic Youth. It was during one of these visits that I first cam across Chris Cunningham who is one of the latest additions to Fuji line-up.

I stumbled upon Cunningham’s “Rubber Johnny” DVD in the Mori gift shop, a short horror themed flick filmed entirely with a DV camera’s night vision setting and a character seemingly composed of nylon hosiery stuffed with cotton wadding. And now, this little figure, along with 3 simultaneous projection screens and a live soundtrack will be gracing the Saturday’s Green Stage, and I’m guessing here, but probably right after Roxy Music.

Cunningham not only has art-world cred but quite a track record of producing videos for top artists like Portishead, Bjork, and even Madonna. He took a hiatus from this lucrative video work to learn music production fulltime in 2004 & 2005, emerging at the end with a 45 minute audio-visual piece performance at Electraglide in Tokyo. The show went over so well that he’s still doing it 5 years later. In my opinion, Cunningham deserves a cheer for this: we’ve already known how important a stunning stage show is for many artists, and now, we’ve finally got an audio visual extravaganza with the musicians truly in the background

Jun
0

POTENTIALLY FABULOUS: SCISSOR SISTERS CLOSING THE FESTIVAL?

Zepp Tokyo, Jan. 2007

Scissor Sisters @ Zepp Tokyo, Jan. 2007

Scissor Sisters are slated as being “special guests” on Sunday night on the Green Stage, which would seem to indicate that they’re going to close the festival. Some may find that blasphemous, since, originally at least, that slot was reserved for some rip-roaring “world beat” act with all sorts of PC cred. Either that or a bona fide electro-dance artist. SS is neither PC nor particularly electronic. They’re the campiest rock band on the planet, and I think that’s exactly what this year’s festival needs, especially after two hours of Massive Freaking Attack. Continue Reading…

Jun
0

Atoms For Peace: The Eraser gets dancey

Atoms for Peace - Wang Theatre, Boston - 8 April 2010

Atoms For Peace: Thom Yorke can't catch a break

Seems like everyone is slagging Thom Yorke lately. I was watching the current BBC series I’m in a Rock n Roll Band last night, and Gene Simmons of KISS went out of his way to specifically name Yorke as a bland performer, a singer who disrespected the hard-earned money his fans spend on a show by just standing around—at which time the program dissolved into a cartoon-based motion graphic sequence depicting sullen Radiohead members slowly rocking back and forth on stage like starving, scurvy infected sailors. Yet, follow that up with a review of any of the new Atoms for Peace shows, and the first sentence in some way jabs Yorke’s “new” incessant and spastic dance style. This guy just can’t catch a break.

And these people just don’t get it.
Continue Reading…

Jun
0

ONE DAY AS A LION BRING THE NOISE

399px-Zach_de_la_Roc20080921070353

Zach de la Rocha

Colossal oil devastation, endless wars, global economic meltdown—tough times, yes, but no better time than right now to see Zack de la Rocha rushing the stage and preaching his brand of political activism to the choir. This surprise late addition to the FRF lineup could not be more relevant.

De la Rocha has lately been louder than ever, and more often than not, his voice has been amplified not over speakers but through megaphones. When he and fellow Rage member Tom Morello ignited the protest at the Republican National Convention in 2008 with a set that was literally unplugged by the police, the subsequent youtube video became for many the most potent symbol of that resistance movement. And then there’s Sound Strike, his campaign for a musical boycott of Arizona due the recent immigration policy reform changes in the state.

Continue Reading…

Apr
3

Pendulum

John_Fogerty3There are tons of acts this year that have never been to Japan before, but which of the artists on the FRF’10 roster who has played in Japan has been away the longest? Research indicates that John Paul Jones, who is coming with the supergroup Them Crooked Vultures, played in Japan with Led Zeppelin in Oct. 1972, while John Fogerty, who is coming in his own capacity as a solo act, was in Japan with Creedence Clearwater Revival in Feb. 1972. Fogerty wins by a guitar pick.

This difference has a larger meaning than just as a bit of trivia. As terrific as John Paul Jones is and was, he was simply one-fourth of one of the greatest rock bands of all time, and Them Crooked Vultures is not Led Zeppelin. However, John Fogerty was for all intents and purposes CCR, the original roots rock band and some might say the greatest singles band in American pop history.

Continue Reading…

Jul
0

Burnt rubber rock in the morning

The Birthday

The Birthday

If you are looking for Japanese rock ‘n’ roll swagger at Fuji Rock, one of your best bets this year is The Birthday. After playing in the on-again-off-again acts Rosso and Thee Machine Gun Elephant (who appeared at Fuji Rock in 1998, 2000 and 2003), vocalist/guitarist Chiba Yusuke paired up with guitartist Imai Akinobu to keep the psychobilly going. Their latest release, ”The Birthday meets Love Grocer at On-U Sound” — a five song CD out this May — was remixed by Adrian Sherwood, the master producer who has worked with everyone from Lee ”Scratch” Perry to Nine Inch Nails and frequently comes for dub DJ sets in Japan.

Like compatriots Guitar Wolf, who open the White Stage on Friday, The Birthday are scheduled first thing in the morning — Green Stage on Saturday at 11 a.m. — so expect the smell of hot leather, gun powder and tequila to get you going at the start of the first day of the weekend.

– Donald