
BUFFALO DAUGHTER
As the only extant band from the hallowed Shibuya-kei movement of the early 90s (Flipper’s Guitar, Cibo Matto, Pizzicato Five, etc.), Buffalo Daughter retains a measure of historical cred. The fact that the trio has remained together all this time without tarnishing its lustre of hipness can probably be credited to its slightly below-the-radar image. A cult band in all the better definitions of the term, BD, like the other Shibuya-kei bands, was immediately championed overseas and many of its albums were released by respectable indies in the U.S. like Grand Royal and Emperor Norton. Unlike the other Shibuya-kei bands, however, BD’s particular type of sound collage was not directly pegged to older, quainter styles of pop. They were always a rock band, albeit one that often veered into the avant garde. Their sense of humor was also more pointed, less precious than that of most Shibuya-kei artists, as evidenced by their affection for puns when it comes to naming their CDs: Socks, Drugs and Rock and Roll or Pshychic or their latest, Weapons of Math Destruction. Continue Reading…